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EX-CHOICE, non-competition section of EXIS includes 55 works , which are
dynamic energies of experimentation and expended possibilities. ¡®EX-
CHOICE 2; Korean Experimental Narrative and EX-CHOICE 3; Korean
Experimental Documentary¡¯ will show many Korean experimental films made
in these two traditional genres.
¡®Culture-making 1,2¡¯ shows meta-experimentations weaved in various
positions such as politics, history, and unusual mediums of cinema.
¡®Allegory¡¯ makes the temporal living of past and present through a
traditional genre of hand-made filmmaking.
Like the Todorov`s saying, the last program ¡®The Index of Movement;
Fantazy¡¯ drives us to a new imaginative place beyond limitation. We can¡¯t
approach it as if we would depend on it. This belongs to the works of EX-
CHOICE, which are full of free possibilities. (programmer, Kim YeonJeong)

 
 
EX-CHOICE 1

Ein Sommer in Deutschland, Ichiro Sueoka, 7', 2005, Japan
Volatile Works Does Coney Island, Volatile Works collective, 11', 2005, Canada
III, Poopy Winter Scraps III, Olivia Ciummo, 2', 2002, USA
Flow, Scott Nyerges, 4'30'', USA
Barulho, Daniel Barroca, 20', 2005, Portugal
Transumanza, Ieie Marco, 2003-2005, Italy
Endless, Wenhua Shi, 9¡¯, 2005, China

 
   
EX-CHOICE 2

Flower Coffin 27, Ȳº¸ÀÓ, 37', 2006, Korea
Token: Fish and Breads, ±è³²±Õ, 7', 2006, Korea
ì°ßæÐªííîî Lee Saeng's Story, ±èÀοõ, 6', 2006, Korea
Party Politics Strikes Back, °î»ç (±è°î, ±è¼±), 26', 2006, Korea

 
EX-CHOICE 3

Wedding reception, ¼ÛÀ¯Áø, 25'20'', 2004, 2006, Korea
Lodz-to search for my time, ±èÇý¿Á, 13', 2006, Korea
Hand Against the Sun 2, °íâ¼ö, 16'41'', 2006,Korea
little boy, ±è°æ¼ö, 7'25", 2006, Korea
One Cold Day, I find a Bolex., ÇϺ´¿ø, 4'25, 2005, Korea
a day memory walk, ÀÌ»ó¹®, 4'01", 2006, Korea

 
   
  EX-CHOICE 4;

This, Guli Silberstein, 6'38'', 2006, Israel
Dying Images, Yoshino, Teppei, 10', 2006, Japan
atalodz, Pape Giesle, 7', 2005, France
Nice Me 2, ÀÌä¹Î, 2'40'', 2006, Korea
The song without Sound, ÀüÀçÈ«, 2'43'', 2005, Korea
Seeing in the rain, À±¼öÀÎ, 3'10'', 2006, Korea
Sunday Afternoon, ±èÅÂÀ±, 6', 2006, Korea
Periferie - Hommage Alexandr Hackenschmied, Martin Bla??ek, 40', 2004, Czech Republic

 
   
  EX-CHOICE 5;

The Mozart- Minute, various, 31', 2006, Austria
Sex Tourism, Kevin Murphy, 7', 2006, USA
The white house in my country, Á¤À±¼®, 24', 2006, Korea
Panopticon, ÃÖ±Ô¿Ï, 2'53'', 2005, Korea
A Hollywood blockbuster, ±èÇü±Õ, 2', 2006, Korea
Zzudenattack, ÀÌ¿µ¿õ, 4', 2006, Korea

 
   
  EX-CHOICE 6;

Light Display: Color, Jud Yalkut, 7', 2002, USA
Ëõ, Kagi, Eriko Sonoda, 6'40'', 2005, Japan
For a blonde¡¦For a Brunette¡¦For Someone¡¦For Her¡¦For You¡¦, Mike Olenick, 5'57'', 2005, USA
Montage, Experiment, ÀÓ°íÀº, 12', 2006, Korea
øúöµ ªÎª¿ªáªÎ øúöµ, Surface for Surface, Daisuke Mashimo, 5'5'', 2005, Japan
Et-elle t criminelle¡¦, Jean-Gabriel Priot, 10', 2006, France
Prterito Pluscuamperfecto, Franc Planas, 7', 2005, Spain
2001. winter (s#5 c#-2 ng cut, ±â³äÃÔ¿µ), 2001. winter (s#5 c#-2 ng cut, Memorial Photographing), Á¶¿µÁ÷, 2', 2006, Korea.
Mario Makes a Movie, Roger Deutsch, 10', 2004, USA
Insect Project, Hung Keung, 5'40'', 2006, China
Body Wow!, ÀÓ°æ·Ï, 7', 2006, Korea

 
 
   
  EX-CHOICE 7;

Suda, Levent Getin, 1'05'', 2006, Turkey
Thrownness, Joanna Callaghan, 8'30'', 2003, Australia
Washing Up Liturgy, Leo Earle, 2', 2005, UK
Sustain, Shelagh Fenner, 6'40'', 2005, UK
Mokruy Stol, Galina Myznikova & Sergey Provorov, 1'15'', 2005, Russia
All Together Now, Carol Pereira, 3¡¯55¡¯¡¯, 2005, USA
Can You go through?, ¹ÝÁÖ¿µ, 7'35'', 2006, Korea
I & I, ±èÁøÁÖ, 2'10'', 2004, Korea
, Pandora, Love and Moth, ÀÌ¿ì³ç, 5'20'', 2004, Korea
The Wings, ¹èÀ±Á¤, 4'4, 2005, Korea
O Sweet Virgin, ÀÌÀ±Á¤, 18'30'', 2005, Korea
piece of memory, È«ÁöÇö,12', 2006, Korea
SNAP, Philip Newcombe, 4'16'', UK